See also For flute, orchestra (arr) ... (Ibert, Jacques) Flute Concerto (Manookian, Jeff) Flute Concerto (Sperger, Johann Matthias) La … Symphonie fantastique, op. As a composer, Ibert did not attach himself to any of the prevalent genres of music of his time, and has been described as an eclectic. Emmanuel Pahud flute. Having studied music from an early age, he studied at the Paris Conservatoire and won its top prize, the Prix de Rome at his first attempt, despite studies interrupted by his service in World War I. Ibert pursued a successful composing career, writing (sometimes in collaboration with other composers) seven operas, five ballets, incidental music for plays and films, works for piano solo, choral works, and chamber music. Concerto for Flute and Orchestra. Showing 1 - 10 of 21 results Peter Lukas Graf, Winterthur Symphony Orchestra, Victor Desarzens, Conductor - Jacques Ibert: Concerto for Flute and Orchestra. His orchestral work Divertissement (1930) was also popular at the time. Ann Arbor: ProQuest. The movement is being constantly driven forward with the triple figures in the flute part. The orchestra under the soloist is equally as agitated sounding, increasing in intensity throughout the movement. Finally, … Angélique displays his "eclectic style and his accomplished writing of pastiche set pieces". He premiered it on February 25 th, 1934 with the Sociéte des Concerts du Conservatoire with Philippe Gaubert conducting. The work is dedicated to Marcel Moyse. "[2] The early orchestral works, such as Escales, are in "a lush Impressionist style",[5] but Ibert is at least as well known for lighthearted, even frivolous, pieces, among which are the Divertissement for small orchestra and the Flute Concerto. The war years were difficult for Ibert. This is seen even in his best-known pieces: Divertissement, for small orchestra is lighthearted, even frivolous, and Escales (1922) is a ripely romantic work for large orchestra. 1. His cinema scores covered a similarly broad range. He also started composing songs, sometimes under the pen name William Berty, and helped his father's business, which had suffered a financial setback. Source Article:TIMLIN, FRANCIS EUGENE. L'Aiglon, composed jointly with Honegger, employs commedia dell'arte characters and much musical pastiche in a style both accessible and sophisticated. Copyright © 2002-20 Presto Classical Limited. He premiered it on February 25th, 1934 with the Sociéte des Concerts du Conservatoire with Philippe Gaubert conducting. Ibert’s Flute Concerto (1932-1933) is very typical to the composer’s output. The Flute Concerto (1934) is a great example of the composer knowing the technical limitations and capabilities of an instrument. Recordings:James Galway, Royal Philharmonic Orchestra & Charles Dutoit. [2], For the theatre and cinema, Ibert was a prolific composer of incidental music.
The early orchestral works, such as Escales, are in "a lush Impressionist style", but Ibert is at least as well known for lighthearted, even frivolous, pieces, among which are the Divertissement for small orchestra and the Flute Concerto. "ALLMUSIC", accessed 30 March 2014, https://en.wikipedia.org/w/index.php?title=Jacques_Ibert&oldid=974601858, Pages containing links to subscription-only content, Short description is different from Wikidata, Articles with Encyclopædia Britannica links, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with Léonore identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Concerto for Cello and Wind Instruments (1925), Symphonie Concertante for Oboe and String Orchestra, La cage de cristal (The crystal cage) (E minor), La marchande d'eau fraiche (The water seller) (F, This page was last edited on 23 August 2020, at 22:31. A sweet, lyrical Andante follows, the flute's long-breathed song accompanied by gentle strings. 1 Oct. 2016. Web. Presto is committed to the health and well-being of our staff.
Frankfurt Radio Symphony Orchestra, Jaime Martín, Helsingborg Symphony Orchestra, Philippe Auguin, Royal Scottish National Orchestra, Jac van Steen, City of Birmingham Symphony Orchestra & Orchestre National de l’ORTF, Louise Frémaux, Jean Martinon, Kent Nagano & David Zinman, São Paulo Symphony Orchestra, John Neschling, Kolner Rundfunk-Sinfonie-Orchester, Alun Francis, Peter-Lukas Graf (flute) Claude Stark (cello), Michael Faust (flute), Lajos Lencsés (oboe), Reinhold Friedrich (trumpet).
The Allegro Scherzando follows a type of rondo format. Concerto for Flute and Orchestra. In fact, the work lay neglected for many years due to its perceived difficulty. He is probably best remembered for his orchestral works including Divertissement (1930) and Escales (1922). Other scores ranged from music for farce to that for Shakespeare productions. [2] In 1927 his opéra-bouffe Angélique was produced; it was the most successful of his operas, a musical farce, displaying eclectic style and flair.[3]. After less than a year, his health obliged him to retire. By contrast Le chevalier errant, a choreographic piece incorporating chorus and two reciters, is in an epic style. In the course of these, Ibert composed his first opera, Persée et Andromède (1921), to a libretto by his brother-in-law, the author Michel Veber, writing under the pen name "Nino". His works span a wide range of styles, including operas, ballets, threatre, film scores, and orchestra pieces. [2] The prize gave him the opportunity to pursue further musical studies in Rome. Browse: Ibert - Concerto for Flute & Orchestra This page lists all recordings of Concerto for Flute & Orchestra by Jacques Ibert (1890-1962). Jacques Ibert. In 1955 Ibert was appointed administrator of the Réunion des Théâtres Lyriques Nationaux, which ran both the Paris Opera and the Opéra-Comique. The solo part is supremely demanding throughout, whether in the rapid passagework of the outer movements or in the sustained lyrical interludes in the evocative middle movement. In tandem with his creative work, Ibert was the director of the Académie de France at the Villa Medici in Rome. Ibert's stage works similarly embrace a wide variety of styles. His publisher Alphonse Leduc commissioned two collections of piano music from him, Histoires and Les Rencontres, which enhanced his popularity. The work was dedicated to Marcel Moyse, who was the featured soloist in its premiere performance, under Philippe Gaubert's direction, in Paris on February 25, 1934. In 1940 the Vichy government banned his music and he retreated to Antibes, in the south of France, and later to Switzerland and the Haute-Savoie. In 1910, Ibert became a student at the Paris Conservatoire, studying with Émile Pessard (harmony), André Gedalge (counterpoint) and Paul Vidal (composition). 1. Andante, the second movement, is lyrical and recalls its suites Escales. There are attractive rhythmic patterns and some lovely tunes, sometimes to the point of superficiality.
Unfortunately you may experience slight delays as some deliveries are taking longer than usual. After the war he married Rosette Veber, daughter of the painter Jean Veber. Restored to his former eminence in French musical life after the war, his final musical appointment was in charge of the Paris Opera and the Opéra-Comique. The work is dedicated to Marcel Moyse. 8026322 University of Washington, 1980. This page lists all recordings of Concerto for Flute & Orchestra by Jacques Ibert (1890-1962).
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